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What lingers in silence

From November 14 to November 29, 2025 – LAccolade Foundation

With the participation of Fanny Béguély, Guénaëlle de Carbonnières, Dan Hayes, Ninon Hivert, Julie Rochereau, Hugo Servanin & Naz Shahrokh.

On the occasion of PhotoSaintGermain, the LAccolade Foundation presents the exhibition What lingers in silence, bringing together works from its collection alongside pieces by guest artists. Together, they offer a sensitive reflection on our relationship to memory, disappearance, and the territories we inhabit.

Landscapes—urban or natural—are envisioned as living spaces traversed by stories, reminiscences, and discontinuities. At the heart of the project, photography unfolds as a material in transformation. Far from the spectacular, the works presented favor slow, fragile, and sometimes precarious approaches, embracing a kind of aesthetic degrowth in response to contemporary visual frenzy.

Within this context, the artists strive to make tangible what tends to vanish. Their photographic gestures establish a physical relationship with the medium through experiments conducted on the scale of the body or the territory. The images emerge on sensitive, porous, and alterable surfaces, combining ancient techniques with contemporary technologies. They thus open up a field of exploration where the sensory and the temporal, the real and memory, converge.

In resonance with Anna Tsing’s reflections on forms of life that emerge in the ruins of the Capitalocene, the exhibition sketches a poetics of slowness and disappearance. It invites us to attend to the hollowed-out narratives and perhaps to imagine other ways of inhabiting the world—with delicacy, attentiveness, and listening.

- Lena Peyrard

Curator and art critic

Past exhibitions

The Entangled Life

From November 17 to November 20, 2022, WILDE

The exhibition Entangled Life concludes the second season of the Fondation LAccolade's research and creation residencies. The title of the Season and of the exhibition is borrowed from biologist Merlin Sheldrake's essay Entangled Life, which describes the capacities and roles of the mycelium in the concert of living things. Mycelium is all around us, weaving underground networks, joining the plant and animal worlds, making a decisive contribution to the world's habitability. The only way to understand living things is to conceive of them as entangled, intertwined and entangling. The notions of interweaving and entanglement are opposed by those of separation and isolation. To engage with the living is to bind, to link what has been neglected and abandoned, to argue that entanglement is the architecture of the living in all its scope and diversity, and to accept entanglement with nonhumans and all elements of nature. The living world has been entangled continuity from the appearance of the first cells right up to the present day.

For this exhibition, we have invited other artists who also work with textiles. Both "text" and "textile" come from the same Greek root. The creations of Laura Bartier, Amy Gross, Janaina Mello Landini, Élise Péroi, and Brankica Zilovic Chauvain, scattered throughout the exhibition space, contribute to a living narrative—formal, aesthetic, and meaningful texts and subtexts.

Nothing is true, everything is alive

Symbiotic art, forms and languages of life

From October 16 to October 31, 2021, Espace Cœur Marais

To conclude its first season of research and creation residencies placed under the sign of the living, the Fondation LAccolade - Institut de France brought together the three artists of the first season, Chloé Jeanne, Charlotte Gautier Van Tour, Caroline Le Méhauté, with the participation of artists Cristopher Cichocki and Luz Moreno.

The very title of the exhibition "Rien n'est vrai, tout est vivant" (Nothing is true, everything is alive) and of the first season of residencies at the Fondation LAccolade is by Édouard Glissant. The first occurrence of this aphorism in his work appears as an excipit of the story La Terre Magnétique, les errances de Rapa Nui, l'île de Pâques. The expression is then spoken by one of the protagonists of the book, Ammy, custodian of the imaginary of the people of Rapa Nui. She provides a possible access to the unresolved enigma of the giant deities of Easter Island.